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Showing posts with label Spade Cooley. Show all posts
Showing posts with label Spade Cooley. Show all posts

Friday, May 09, 2008

Episode 54 - "Murder!" he says: The Spade Cooley Story

Episode 54 - "Murder!" he says: The Spade Cooley Story

Direct link to mp3.

Subscribe to the Dreamtime podcast

Listen now with the Dreamtime Player





Let us consider the case of one Donnell Clyde Cooley. Born in 19 and 10 in a tornado cellar in Pack Saddle Creek, Oklahoma. Parents a mix of Native American and Anglo, so the young Cooley was legally considered Indian, and attended an Indian school. Taught how to play the fiddle by his Daddy. By age 25, he was married, had a son, and living in the the Golden Land of California - arriving, as Cooley liked to tell the story, with a fiddle under his arm and but a nickel in his pocket.

It was in Modesto, California that Donnell Clyde Cooley picked up his nickname, drawing a flush three times during an all-night poker game - each time with the same suit. Over the years Spade embellished the story until those hands became three straight spade flushes in a row. The possibility of making even one straight flush is about 13,000 to 1, and it'd be more likely that a bolt of lightning would have blasted from a clear night sky and fried Spade right then and there in his chair before he'd pull three straight flushes in a row.

But maybe... maybe it did happen once on a hot night in Modesto, California, the kerosene lamp hissing and its light flickering on the sweaty, tired faces of the men gathered around a table. Men who were trying to ignore the fact that in a few hours they'd be back into their routine of back-breaking labor. But right now the whiskey and the jokes are good, the cards are hot, and they're all still reluctant to give up the night. One more hand, just one more hand. And then watching that kid, Cooley, pulling not one, not two, but three straight flushes in a row. All in spades.

Maybe it happened. And maybe Spade used up all the luck that he had in his life during that one night.

But, if he did use up all his luck, nobody could tell for awhile.

***

[Left: Spade Cooley with Roy Rogers (both kneeling)]

By the 1930s, Spade was in Los Angeles and playing hot enough on the fiddle that he was picking up regular gigs with the country-western bands working the L.A. circuit. One of those bands was the Sons of the Pioneers, whose most famous alumnus, Roy Rogers, had moved on to a movie career as singing cowboy at Republic Pictures.

Someone introduced Cooley to Rogers, and they quickly became fast friends. Spade also bore a slight resemblance to Roy - both had the same build and same moon face - and soon Cooley was pulling down an extra $17 bucks a week as Rogers stand-in and stunt double, as well as working in Rogers' back-up band, The Riders of the Purple Sage, as fiddle player and vocalist. Between those jobs and his other gigs around town, Spade was pulling down a pretty good living. Fame and fortune were right on the horizon.

The lightning bolt came in the form of Bob Wills and His Texas Playboys, whose arrival in L.A. in the early `40s kicked off a cowboy music craze in the city equivalent to the Beatles invasion of America some 20-odd years later. The Okies from the Dust Bowl were still in town and soldier boys from the Midwest and the West were flowing into the area's military bases. All of them had money in their pockets, and all of them wanted to dance the dances they knew from back home, and listen to that ol'-time music with a new, hot swing beat.

Spade was working in a trio at Santa Monica's Venice Pier Ballroom when the cowboy swing music craze hit. The manager thought Cooley had what it took to lead a house band that could capitalize on the new craze, and fronted Spade the money to put together an act. Spade Cooley and His Orchestra would end up drawing in thousands every Saturday night during an 18-month run, making Spade the "King of Western Swing" and eventually landing him into the movies.

After leaving the Venice Pier, Spade put together one of the hottest touring western swing bads in America, including everything from a harpist to an accordionist along with the more usual guitars and fiddles. At one time Cooley's accordionist was Milton DeLugg, who, Dreamtime listeners will remember, would later become the co-author of the song, Orange Colored Sky, as well as the leader of The Gong Show's house band.

The Spade Cooley Orchestra typically included more than a dozen musicians and a girl singer - all dressed in flashy cowboy getups. Even though most of the members came from places like Milwaukee, Boston, and Brooklyn, Spade hung a western moniker on every one of them: Smokey Rogers; the apparently Irish-Mexican Joaquin Murphy; Cactus Soldi; and yodelin' blonde bombshell, Carolina Cotton, who had been born with the more mundane name of Helen Hagstrom.

Spade was now heading into the peak of his career, cutting his first recorded hit, Shame, Shame, On You, which would become his theme song, headlining at the Santa Monica ballroom, and playing sold-out shows up and down the West Coast. In fact Spade Cooley and His Orchestra were so popular that they couldn't meet all their bookings. There were rumors Spade had two or three bands on the road simultaneously, all operating under the Spade Cooley name, some even fronted by pseudo-Spades when the rubes were hick enough for them to get away with it. One story has Spade opening with His Orchestra at one gig, then hopping into a taxi for a quick ride across town to do a couple of numbers with another Spade Cooley Orchestra while the first band continued on Spadeless.

***

Spade had it all by the late 1940s. An estate in a classy section of Los Angeles, a ranch in the Mojave Desert, and a 56-foot yacht. One hundred custom cowboy suits, 50 hats, and three dozen pairs of boots. A string of B-movies. A hit television show with a 75 percent audience share. A reported $15 million fortune.

[Left: Spade Cooley and His Orchestra. Ella Mae Evans is standing next to Spade]

But the string of straight flushes was just about over. Spade had a hot temper, liked to drive his band hard, and had a taste for both booze and ladies who weren't his wife. In 19 and 45, singer Carolina Cotton had split, forming her own band with ex-Cooley sideman, Deuce Spriggens. Cooley replaced Carolina with Ella Mae Evans, a 21-year-old clarinet player who, from all reports, couldn't sing worth a damn. But hey, she was blonde, cute as a bug, and Spade had the hots for her... the last by itself good enough reason for Ella Mae to get the job. But she wouldn't have it for long.

Spade soon divorced his wife, did the right thing by Ella Mae and married her, and quickly had her knocked up. And being the good ol' Okie boy that he was, Spade preferred his wife at home, cooking biscuits and taking care of the young'uns. Spade also decided that city life was no place for Ella Mae and his new brood, so he bought a spread at the edge of the Mojave Desert and installed his growing family there. Spade kept the L.A. mansion, leaving Ella Mae alone in the Mojave, sadly serenading the coyotes and prairie dogs with clarinet solos while waiting for the occasional visit from the King of Western Swing.

All was not well in the King's kingdom. In the early 1950s, Spade had his first heart attack, perhaps caused by the realization that the western swing dance craze was evaporating as quickly as it had appeared. In close order, Cooley's record contract expired and wasn't renewed, his movie career dried up, his television show went off the air, and the crowds started to fade away at Cooley's house gig. Spade talked his way into a new TV show, but his drinking and temper had gotten out of hand by this point, and he was soon fired. Spade cut his final record in 19 and 59, and maybe he saw the handwriting on the wall, as the B-side of his last single was a half-hearted attempt at a rock-'n-roll number.

At loose ends, only in his fifties, and needing hard cash to keep him, his girlfriends and the Mojave Desert contingent in the style that they were all accustomed to, Spade came up with several bizarro money-making schemes. He fired the Spade Cooley Orchestra in one wholesale massacre, replacing them with an all-girl novelty band. Of course, Spade may have also looked at this as a convenient source of poontang since he wasted no time in taking on one of the new band members as his lover. Unfortunately, the Spade Cooley All-Girl Orchestra proved not to be a popular success, and Cooley soon was searching for some other way to bring much-needed ducats into the Kingdom.

Speaking of Kingdoms, The Magic Kingdom, Disneyland, had opened in 19 and 55 and by the `60s was a moneymaker for Uncle Walt. Spade hit upon the idea of Water Wonderland, a water theme park based in the same area as his Mojave Desert ranch, and catering to the L.A. family willing to take a 50-mile auto trip out to an oasis in the desert. Cooley bought up another 50 acres around his ranch, acquired some business partners, and started on the development of Water Wonderland.

It wasn't a bad idea, and it might have even worked. But Spade wasn't destined for four straight flushes in a row. His string had finally run out.

***

By the early `60s, Spade's mental health was noticeably fragile, with one friend later saying that Cooley would have been on heavy-duty anti-depressants if he had been living in our more medicated times. His condition wasn't helped by the fact that Cooley was insanely jealous when it came to Ella Mae, convinced her life was one round of sex orgies after another out there in the Mojave. Of course this probably had something to do with the fact that Spade Cooley had been stepping out on Ella Mae since the day they were married, and the story went that ol' Spade wasn't shy about taking on multiple sex partners himself when opportunity arose.

With no more evidence than two of his new business partners had some effeminate mannerisms - they were, in fact, gay, an investigator discovered many years later - and that they had befriended Ella Mae on one of their trips to Cooley's ranch, Spade came to the conclusion that they had recruited his wife into what he'd later describe as a "free-love sex cult." This was, after all, the very early `60s, and a man of Cooley's generation might be confused about the radical differences between homosexuality, free-love, and sex cults. All Spade knew was that he was certain that they were putting the pork to his sweet lil' Ella Mae, and This Could Not Stand.

Tiring of being spied upon and of enduring all-night accusations of her infidelities, Ella Mae filed for divorce. Spade counter-filed, but then changed his mind, and asked Ella Mae to take him back. Ella Mae took to the hospital instead, where she reportedly informed a nurse who befriended her that the only affair she had ever had was with Spade's one-time mentor and friend, Roy Rogers, and that fling was long over.

Even though Spade had dropped his divorce proceedings, he hired a private detective to "check up" on his wife, as Cooley put it, after Ella Mae was released. The P.I. didn't have to work at it too hard. In a few weeks, Spade called him, said his wife was now ready to admit her affairs, and put Ella Mae on the line. Ella Mae stated that she had one 30-minute quickie with a man at a local motel, providing both a date and the motel's location, but refusing to give her supposed paramour's name. She closed the conversation with the statement that she'd love Spade "until the day I die."

That would be the next day.

Spade showed up at an afternoon meeting on Water World World drunk and angry, stormed out, and went home to the Mojave Desert estate. What happened then only Spade and Ella Mae would ever know. Their 14-year-old daughter Melody walked in at 6:20 p.m. Spade, who had blood spots on his pants, took Melody by the arm and said, "Come here, your mother's going to tell you something."

He walked his daughter to a bathroom shower where the water was running. Ella Mae lay on the shower floor, already unconscious, possibly already dead. Spade hauled her out by the hair and began kicking and beating the body, using a cigarette to burn it, all in front of Melody, who eventually escaped when Cooley was distracted by a phone call. Spade apparently spent the next four hours alone with Ella Mae's body. His manager, nurse Dorothy Davis, the one who claimed Ella Mae had confessed an affair with Roy Rogers to her, and Spade's grown son and daughter-in-law all arrived at the Cooley estate around 11 p.m., eventually convincing Spade to call for an ambulance. But it was much too late.

Ella Mae Cooley had died from a ruptured aorta, a result of Spade's punching and kicking. He claimed to investigators that Ella Mae had fallen in the shower, apparently repeatedly, but had no explanation as to why his hands were so swollen he couldn't close them.

***

[Left: 14-year-old Melody Cooley]

The Spade Cooley murder trial would be an early precursor to the L.A. celebrity murder trials of O.J. Simpson and Robert Blake, having all the dramatics, sex, and scandal of both those cases. Cooley would collapse in court during his daughter's testimony. The investigator who Cooley had hired played the tape of Ella Mae's so-called confession, noting that in a follow-up investigation that he could find no evidence that she had ever been at that motel or, indeed, that she had ever had an affair with anyone.

Nurse Dorothy Davis testified about Ella Mae's claim that she had had a short-term fling with Roy Rogers years before. Davis noted that she had never believed the story, but had no theory about why Ella Mae would have lied. A spokesperson for Roy Rogers termed the story, "ridiculous."

A week intro the trial, Cooley again collapsed when his five-year-old grandaughter greeted him with a sweet, "Hi, Grandpa." Finally, it was his turn to take the stand, possibly not the best of decisions from his legal team. On the other hand, Cooley had plead not guilty by reason of insanity, and his testimony didn't do anything to cast much doubt on that claim.

Cooley said that on the day of her death Ella Mae had finally provided him with a lengthy laundry list of her sexual adventures. He said she had admitted her affair with Roy Rogers, who apparently had a weekly date with Ella Mae while Cooley was doing his Saturday night TV show.

And then there was the free-love sex cult, masterminded, Cooley said, by a bunch of the "limp-wrist set" who were planning on destroying the values of America.

Ella Mae had fallen, Cooley related, in the shower. He had heard "a horrible thud" and rushed into the bathroom to find Ella Mae unconscious. His daughter, Melody, had fantasized her story about Spade beating and burning Ella Mae because she was annoyed that Spade wouldn't allow her to date.

And then there was that free-love sex cult, again. Midway through his account about Ella Mae's accident, Cooley suddenly blurted out, "Rockets ran through my brain when Ella Mae told me of her desire to join a free-love cult. I must have hurt her terrible."

After a month-long trial and 19 hours of deliberation, the jury convicted Cooley of murder on August 19, 1961. Cooley withdrew his insanity plea, and the court sentenced him to life, sparing Spade a trip to the gas chamber because of his poor health.

***

Given that he was a convicted murderer, Spade got off relatively easy, sentenced to Vacaville State Prison, rather than the hard time San Quentin, where most California murderers end up. Cooley was a model prisoner, finally admitting in 1965 that he had done the crime and deserved the time. In 19 and 69 Cooley supporters petitioned Governor Ronald Reagan to pardon or parole Spade. Reagan wouldn't go for the pardon, but, maybe in solidarity with another B-movie actor, did use his influence to buy Spade a favorable decision with the parole board, which unanimously recommended parole for Cooley, effective February 22, 1970—Spade's 60th birthday.

But a man who would name himself after three straight flushes in a row shouldn't expect any more luck in this world. Four months before his release, Cooley was granted a furlough to do a benefit concert for the Alameda County Sheriff's Department. Spade played three songs, was greeted by enthusiastic applause, and walked backstage. "You know," Cooley said, "I wasn't sure whether my fans would want me back, but I think it's going to be okay.

"I think it's gonna work out for me," he continued. "I have the feeling that today is the first day of the rest of my life."

He was right. And it was also the last day of his life. A minute later, Spade Cooley was dead of a massive heart attack at 59 years of age.

***

The Hollywood Chamber of Commerce keeps it a close secret about exactly how one ends up with a star on their Walk of Fame, although the record seems to show that up until about 10 years ago, anyone with five grand had a good chance of buying whoever they wanted a star, just as long as that person had some connection to the entertainment business.

If you take a stroll down Hollywood Blvd. and stop at 6802, right next to Kevin Costner, you'll find the name of one Spade Cooley, born Donnell Clyde Cooley, movie and television star, King of the Western Swing, and the only convicted murderer to have his own star on the Hollywood Walk of Fame.




Playlist: Background music included:

Hart to Hart theme - Mark Snow

Perry Mason theme - Mundell Lowe

Oklahoma Stomp - Spade Cooley & His Orchestra

Shame, Shame On You - Spade Cooley & His Orchestra

You Clobbered Me - Spade Cooley & His Orchestra

Killer Joe -
Toots Thielemans

"Murder," he says - Anita O'Day


Sources
: My primary source was David Krajicek's article on Spade Cooley, his trial, and its aftermath.


With Theme Time Radio Hour on hiatus, Dreamtime is on a once-a-month podcast schedule for the duration. We'll be back in June with a new show. Thanks as always for listening, and remember to enter our Dreamtime Constant Listener Contest, underway right now. Send us an email with your guess on the date that Theme Time Radio Hour returns with Season 3, and get the opportunity to win a copy of Million Dollar Bash, as well as a CD of Poetry Readings direct from the Dreamtime studio with these nifty stewART covers.

***

You've been listening to the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is researched and written by Fred Bals and is a Not Associated With production. As the name says, we're not associated with XM Radio, Bob Dylan, or much of anything else.

Some of the music on Dreamtime is provided via the Podsafe Music Network. Check it out at music.podshow.com.

Remember that the Dreamtime team loves to get email. You can write us at dreamtimepodcast@gmail.com

The Dreamtime top cats are Curly Lasagna and Shaggy Bear. Our announcers are the notorious honky-tonkin' sisters, Jailbait and Joyride.

Until next time, dream well.

Visit the Dreamtime Store

Friday, April 18, 2008

Episode 53 - Will There Be Any Yodeling In Heaven?

Direct link to mp3.

Subscribe to the Dreamtime podcast

Listen now with the Dreamtime Player





[The Lonely Goatherd - Julie Andrews]

We're back again with another show from your other home for dreams, schemes, and themes. We've been gone for awhile, so we've got lots to talk about on today's show, including the end of Theme Time Radio Hour Season 2, when we can expect Season 3 to start, what Dreamtime will be up to during the Theme Time hiatus, and hey, bar the door, Katie! We're also going to tell you about the first Dreamtime Constant Listener contest, where one lucky listener - that might be you - will win a copy of Sid Griffin's book, Million Dollar Bash, as well as some assorted Dreamtime bling!

All that and more on Episode 53 of the Dreamtime podcast. And because we wouldn't be Dreamtime without some Theme Time-inspired music, we're also taking a stroll today through the sadly neglected world of yodels and yodeling, including Alpine yodels, blue yodels, Hawaiian yodels, blackface yodels, country-western yodels, and Drake's Creme-Filled Chocolate Cake Yodels. To get us started, a musical lesson on yodeling from Mr.Goebel Reeves, also known as the Texas Drifter.

[The Yodelin' Teacher - Goebel Reeves]

From 19 and 34, The Yodelin' Teacher. Goebel Reeves is probably best remembered for writing one of Woody Guthrie's signature tunes, Hobo's Lullaby, a song that became so associated with Woody that most people believe he composed it himself.

You might think you were listening to a dialogue in The Yodelin' Teacher, but Reeves is actually performing both voices. Most of Goebel Reeves career is a mystery, and there's no direct evidence that he ever performed in blackface. But he claimed to have barnstormed through the South with Jimmie Rodgers during the early `20s, and to have taught Rodgers to yodel. And The Yodelin' Teacher sure sounds like a blackface routine Reeves and Rodgers might have developed together as an act for the Medicine Show circuit.

When yodeling, blackface, and Jimmie Rodgers are mentioned, there's always another performer who needs to be acknowledged. You know who we're talking about, we did an entire Dreamtime show on him. Here's our ghost in blackface, Emmett Miller, performing the original Lovesick Blues.

[Lovesick Blues - Emmett Miller]

From 19 and 28, Lovesick Blues performed by Emmett Miller, using his trademark yodel. Twenty years later Hank Williams would record Lovesick Blues, and have his first #1 Country Single hit, ironically one of the few cover songs he ever recorded.

Let's take a break and discuss some Theme Time Radio Hour and Dreamtime news. As I would guess all of my listeners know by now, Theme Time Radio Hour closed its Season 2 with the "Cold" show broadcast on April 2nd. Mr. D. said in his announcement that they'd be back "real soon" with Season 3, the deejays on "Deep Tracks" and XMX - the two channels where Theme Time is being re-run - are saying the show will be back in "a couple of months," and the New York Daily News has made the unlikely claim that the show will be back September 19th (I say unlikely because September 19th is a Friday), but the bottom line is that XM Radio has yet to announce an official return date.

So, to keep our spirits up, the Dreamtime team has put together an awesome package of, ah, stuff, that we'll send to the winner of our first annual Dreamtime Constant Listener contest. Here's how it works...

  1. Send us an email - dreamtimepodcast@gmail.com - and give us your pick on the date when Theme Time Radio Hour will return with Season 3. Please make sure to put "Dreamtime contest" in the Subject line.

  2. The contest ends when the official announcement of Theme Time Radio Hour Season 3 is made by XM Radio. Our winner will receive a copy of Sid Griffin's great book on the Basement Tapes recording sessions: Million Dollar Bash, personally inscribed to you by the Dreamtime team; and a CD of our most popular show to date, Poetry Readings with Your Host, Bob Dylan from Season 1 of TTRH.

  3. Standard disclaimer stuff: One entry per email address. Contest ends when the official announcement of Theme Time Radio Hour Season 3 is made by XM Radio. In case two or more entries has the right date, the winner will be randomly selected from the Dreamtime hat. If no one selects the exact date, our drawing will be randomly selected from all the entries. Employees of XM Radio, Big Red Tree, Gray Water Park Productions, or the Dreamtime team - especially the Top Cats - are not eligible, and their cat food will be taken away if they're caught.
So there you have it, friends, the first annual Dreamtime Constant Listener contest. All the info is on the blog, including links to our email. Enter early, 'cause there's no way of telling when XM will make the announcement that Theme Time Radio Hour is starting up again.

I think it's time for some more music, and here's one of my favorite yodeling teams, The Dezurik Sisters, better known on their radio show as as The Cackle Sisters. Yodeling wasn't just limited to yodeling when it picked up popularity among country-western artists in the `30s. The term came to stand for any vocal trick in a song, especially animal sounds which might include a barnyard full of dogs, cats, mules, and birds. Bird imitations were a Dezurik Sister speciality. We "listened to the birds and tried to sing with the birds," sister Carolyn once said. Here's the Dezurik Sisters with The Arizona Yodeler.

[The Arizona Yodeler - The Dezurik Sisters]

Here's one I first heard on the Lost Theme Time Radio iPod, although it's yet to be played on Theme Time Radio Hour. You know, there are some songs that just stop you dead in your tracks when you first hear them, and Cliff Carlisle's That Nasty Swing is definitely one of them. When you listen to this one, wait for the "place the needle in that hole," line, which had me going "What! What!" the first time I played it. Carlisle's referring to a phonograph needle, and Nasty Swing is probably one of the first songs to link up sex with that old devil phonograph, preceding Robert Johnson's Phonograph Blues by a good three years. From 19 and 33, Cliff Carlisle and That Nasty Swing...

[That Nasty Swing - Cliff Carlisle]

Cliff Carlisle with a song so nasty that he released it under the name "Bob Clifford." In fact, his label thought the song so nasty that they marketed it as a race record, directed to a black rather than white audience.

Next on the agenda is some technical Dreamtalk I'll try to make as quick and painless as possible. First: How to subscribe in iTunes. While the Dreamtime feed is still broken in the official iTunes store, you can still easily subscribe to the Dreamtime podcast by hustling over to the Dreamtime blog at dreamtimepodcast.com, click on the "Got iTunes" button you'll find in the upper right cornerand zippo! you're subscribed in iTunes and will never miss an episode of Dreamtime.

Second in line: In Dreamtime's constant race to be the coolest kid on the block, we've created a special Dreamtime account on Twitter. One of the most popular sections of Dreamtime is the daily Theme Time Radio Hour News & Views column that you'll find over to your right, too, when you come visit the blog. If you're a Twitter aficionado and want to follow the TTRH News & Views column over there as it (almost) breaks, here's your opportunity. Go to Twitter and search for DylanTweets, all one word, and TTRH news will be flowing into your computer, cell phone, or whatever you're using to Twitter. If you want to follow me, btw, my personal Twitter account is FredatDreamtime, again all one word, but I have to warn you up front, I'm pretty boring.

[Photo: Roy Rogers kneeling on the left. Spade Cooley kneeling on the right]

I promised a little Hawaiian yodeling and the honors go to one of the greatest of singing cowboys, Roy Rogers. I'm about 10 years younger than Mr. D., and what Gene Autry meant to him, Roy Rogers meant to me, the ultimate in Cowboy Code Coolness. My mother totally bummed me out when I was about 8, telling me that Roy Rogers had been in jail for murdering his wife, apparently pre-Dale Evans. She didn't have any explanation about why Roy was romping around on Saturday morning television instead of being behind bars somewhere, but the story cast a shadow on Young Fred, equivalent to when a classmate told me that Superman had shot himself.

It wasn't until years later that I realized my mother - never a fount of accuracy - had confused Roy Rogers with Spade Cooley, who claimed during his trial that Roy Rogers had had an affair with his wife, who Cooley subsequently murdered in front of their 14-year-old daughter. Here's someone who didn't murder his wife, I'm happy to say, Leonard Franklin Slye, better known to us all as the King of the Cowboys, Roy Rogers, riding on the 1940s Hawaiian craze with the song, Hawaiian Cowboy.

[Hawaiian Cowboy - Roy Rogers]

No one knows how Hawaiian music and yodeling got intertwined, although the best guess seems to be that the unique Hawaiian version of yodeling sprang from a blend of Hawaiian chants, Christian hymns promoted by missionaries, and yodeling from immigrant cowboys. As Mr. D. says, all these things have roots.

We're winding up today's Dreamtime with our title song, a question that all True Fans of yodeling will ask Saint Peter before stepping through those pearly gates. From Theme Time Radio Hour favorite, Bob Wills & His Texas Playboys, with vocals supplied by the McKinney Sisters, Will There Be Any Yodeling in Heaven?

[Will There Be Any Yodeling in Heaven? - Bob Wills & His Texas Playboys]

Will There Be Yodeling in Heaven? The answer, of course, is yes. Because if there's no yodeling in heaven, then what's a heaven for?

Before we close the show, we want to give a big "Thank you" to everyone who has started their Amazon shopping through the Dreamtime blog. There's not a lot of cost to doing Dreamtime, but it does run us a few shekels a month. And it's nice to know there's people out there who think enough of what we're doing to see that a little money comes our way via Amazon or Paypal. It's very much appreciated, and thanks again.

And finally, another big "Thank you" from the Dreamtime team to our audience for making our last episode - Poetry Readings from Season One of Theme Time Radio Hour - our most popular show ever.

If you liked that one and are new to Dreamtime, you might want to take a tour through our archives and download Episode 35 - Cooking and Drinking with Bob, which covers most of the recipes Our Host told us about during Season One - everything from barbecue sauce to Figi Pudding. Other shows that have been hits with our audience include The Lost Theme Time iPod; Working for the Yankee Dollar; and Back Where I Come From: The Roots of Theme Time Radio Hour.

But with 53 episodes the chances are that whatever you like about Bob Dylan and Theme Time Radio Hour, we've talked about it on Dreamtime, so go check out our back catalog. And if we haven't talked about something Theme Time Radio Hour-related that you'd like to hear on a future episode, let us know. Some of our best shows have come from listener suggestions.

With Theme Time Radio Hour on hiatus, Dreamtime is moving to a once-a-month schedule for the duration. We'll be back in May with a new show. Thanks as always for listening, and remember to enter our Dreamtime Constant Listener Contest. When will Season 3 of Theme Time Radio Hour start? only the Shadow - and Eddie G. - know, but maybe you can guess.

***

You've been listening to the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is researched and written by Fred Bals and is a Not Associated With production. As the name says, we're not associated with XM Radio, Bob Dylan, or much of anything else.

Some of the music on Dreamtime is provided via the Podsafe Music Network. Check it out at music.podshow.com.

Remember that the Dreamtime team loves to get email. You can write us at dreamtimepodcast@gmail.com

The Dreamtime top cats are Curly Lasagna and Shaggy Bear. Our announcers are the notorious honky-tonkin' sisters, Jailbait and Joyride.


Until next time, dream well.

Visit the Dreamtime Store

Monday, March 24, 2008

Yes Sir, Mr. Bones


Regular readers of Dreamtime know my love of Emmett Miller, and my interest in the old time minstrel shows and the very strange - and very racially insensitive, it should be noted - art of blackface. From the emails I've received, I know several readers/listeners share my interest and may also be interested in Yes Sir, Mr. Bones, a 54-minute movie from 19 and 51, which contains the only known footage of Miller in action.

The movie is available as 1/2 of Showtime USA, a DVD that also contains Square Dance Jubilee, featuring Spade Cooley, and thus giving us even more of a TTRH connection. As a commenter noted on the Amazon page, Yes Sir, Mr. Bones is probably as close as we're likely to get to a reconstruction of an actual minstrel show, from the opening "end man" comedy routines, featuring Miller, to the "olio" including sentimental ballads performed by an "Irish Thrush" to an amazing softshoe on sand routine to the closing burlesque numbers. The movie supposedly takes place in a show biz retirement home; a young boy wanders in and the residents - thanks to the magic of imagination - recreate a minstrel show.

If you're offended by blackface material - some of it very crude, by the way - you don't want to watch this movie, as one of the audio commentaries puts it right at the beginning. If you're interested in it as a historical document - especially of Emmett Miller - you do. At its current price of $12.99, it's a steal.

Frustratingly, Miller does not sing, although we get a hint of his trademark yodel in his first routine. Even better, we get to see him out of blackface during the framing opening and closing segments.

The movie also features a young Scatman Crothers - misnamed in the movie credits as Scatman Corothers - in his first movie appearance, as well as several other African-American performers, who, happily, do not perform in blackface. It's interesting to note that Crothers and partner perform a vintage minstrel routine that would later be recreated - almost word-for-word - in Spike Lee's great movie, Bamboozled.

The DVD reproduction of Yes Sir, Mr. Bones is extremely clean, looking as if it came from an original 35mm print. There's some noticeable edits, probably because the original had been spliced. The sound is excellent, contrary to what one reviewer has to say.

If you're buying the DVD for the Miller material, the second feature, the 80-minute Square Dance Jubilee, will be just an added bonus. It's a weird, little cross between a cowboy song movie and a kiddie Saturday matinée. Since I know his history - I still need to do a show on him - watching Spade Cooley is a somewhat surreal experience. He looks weird, probably just nervousness, but he has this enormous false grin plastered on his face throughout his entire performance. He waves his tempo hand at band and singers as if he's going to beat them at any moment, and he generally looks like a guy teetering on the edge...

... which, come to think of it, he was.

.

Tuesday, August 28, 2007

Three Miles South of Cash - Bob Wills and Carolina Cotton



We're in full Western Swing mode here at Dreamtime, this time around with a video of Bob Wills and The Texas Playboys from 19 and 51, featuring a semi-duet of Three Miles South of Cash between Wills and Carolina Cotton, who performs her signature yodelin' as Wills tries to keep pace.

This is from a so-called "Snader Telescription," one of television's first music videos. Snaders were 3-4 minute films shot live and produced from around 1950 until late 1953 or early `54, according to this site. The brainchild of Louis D. Snader, a Southern California real estate developer, almost all of the several hundred Snader Telescriptions were written, produced, and directed by a Duke Goldstone, who even helped design many of the sets. Goldstone could shoot as many as 12 Snaders in one day.

A bigger live draw than Tommy Dorsey and Benny Goodman in his heyday during in the 1940s, Wills career was winding down by 1951, as was Western Swing itself. He'd have one last Top Ten hit with Faded Love in 1950, although he'd continuing performing into the late `60s. The Yodelin' Blonde Bombshell - Carolina Cotton - was a featured songbird in the Spade Cooley, Deuce Spriggins (to whom she was briefly married), Hank Penny, and Bob Wills bands, as well as cutting her own singles.

Cotton appeared in several B Westerns as well as in some of the first "Soundies," an even earlier precursor to music videos (although the audio was taped, rather than performed live). Cotton was also one of the first female deejays, as well as a television pioneer. She turned down the role of Annie Oakley (later played by Gail Davis) to develop her own series, Queen of the Range, although the show was never aired. In the early `60s, Cotton retired from her entertainment career, earned her Masters Degree in Special Education, and taught at several schools in California. She'd occasionally still perform at Western Swing fan conferences and charity events into the late `90s, before passing away in 1997.

Cotton had a fascinating career, and you could learn more about her and her life at carolinacotton.org, a great site maintained by her family.

Monday, August 27, 2007

Hank Penny - Missouri



I need to do a Dreamtime episode on the Western Swing phenomena of the `40s and `50s, which has just a ton of great subject matter and characters to write about, including Carolina Cotton - "the Yodelin' Blonde Bombshell" - who you can see on bass in this clip, and Spade Cooley, the King of Western Swing, whose life played out like a James Ellroy noir novel.

Here we have the Deuce Spriggins Orchestra, featuring Hank Penny, doing Missouri. Spriggins - real name George Braunsdorf - and Cotton (Helen Hagstrom) were secretly married in 1945, and left Spade Cooley's band that same year, taking many of Cooley's musicians with them to form their own band. Spriggins and Cotton would be divorced the following year, with few people knowing that they had been married.

Hank Penny, whose 1950s hit Bloodshot Eyes was featured on Dreamtime 39, was born Herbert Clayton Penny on September 18, 1918, in Birmingham, AL. By the age of 15, he was performing professionally on local radio, and had formed his own band, The Radio Cowboys, before he turned 18.

By the mid-'40s, Penny was in Los Angeles, and had been recruited to front one of the pseudo-Spade Cooley bands that were operating throughout the country. Cooley's popularity was at such a height during the 1940s that the real Spade Cooley Orchestra couldn't fill all its bookings, so Cooley's manager simply formed several more Western Swing bands and sent them on the road under the Spade Cooley brand.

After later stints as band leader, deejay, and club owner, Penny joined Cooley's wildly popular television program in 1948 as a comic backwoods type known as "That Plain Ol' Country Boy." A year later, Penny cut Hillbilly Bebop, an attempt to reclaim the audience Western Swing was losing to the new bop music, and the more successful hit of 1950, Bloodshot Eyes.

Penny later would become a co-owner of the legendary Palomino Club, hosted his own television series, The Hank Penny Show, which was canceled after only a few weeks, and have a much more successful seven-year run at the Golden Nugget Casino in Las Vegas. He'd later moved to Nashville, and audition for the hosting slot of Hee Haw, a job he'd lose to Roy Clark. He passed away in 1992.*

*Note: Hank's widow, Shari, was kind enough to contact me with the correct dates of Hank's birth and death and I've edited the post to reflect those dates  Shari notes that the Hank Penny official web site will be online within the month, and we'll link to it when it goes live.  Thank you, Shari!