Being a Compleat Transcript with Commentary of the premiere episode of Theme Time Radio Hour
First Broadcast Wednesday, May 3rd, 2006
[Rain and wind sound effects]
“The Lady in Red” (Ellen Barkin): It’s night time in the Big City. Rain is falling. Fog rolls in from the waterfront. A nightshift nurse smokes the last cigarette in her pack.
Ellen Barkin: It’s Theme Time Radio Hour with your host, Bob Dylan.
Bob Dylan: It’s time for Theme Time Radio Hour, dreams, schemes and themes. Today’s show… all about the weather. Curious about what the weather looks like? Just look out your window or take a walk outside.
Bob Dylan: We’re going to start out with the great Muddy Waters, one of the ancients by now whom all moderns prize. One of his early songs on the Chess label, “Blow Wind, Blow,” featuring Jimmy Rogers, Otis Spann, and… Little Walter. From the windy city of Chicago, Muddy Waters, “Blow Wind Blow.” Here’s Muddy.
[Muddy Waters – “Blow Wind Blow”]
Although unrelated musically, no one can hear the title of the first song aired on Theme Time without thinking of Dylan’s own Blowin’ in the Wind.
“…one of the ancients by now whom all moderns prize.”
The first shot fired in the great “did Bob Dylan contribute to TTRH scripts?” debate, and a definite point for the “Yes” side.
The line is a paraphrase taken from Alexander Pope’s 1711 poem, “An Essay on Criticism,” an unlikely reference for producer/writer Eddie Gorodetsky to be making in relation to Muddy Waters, no matter how literate the ex-radio jock and comedy writer may be.
The Ancients only, or the Moderns prize:
There’s much for Bob Dylan to like in “An Essay on Criticism,” including Pope’s argument that all good writing stems from “the imitation of the ancients,” and his contention that bad criticism is much more tiresome to the reader than bad writing.
Dylan may have adapted the “one of the ancients…” line to acknowledge one of the primary tenets of his career: all artists owe a debt to their predecessors, a thread that would run through many Theme Time commentaries.
Although little-remembered in these modern times, “An Essay on Criticism” has made several contributions to the popular lexicon including, “a little learning is a dangerous thing,” and “fools rush in where angels fear to tread.”
Bob Dylan: Muddy Waters, “Blow Wind, Blow.” Chicago’s known as the Windy City, but it’s not the windiest city in the U. S. The windiest city is Dodge City, Kansas. Other windy cities are Amarillo, Texas, and Rochester, Minnesota. All of which beat Chicago. But you can’t beat Muddy Waters singing “Blow Wind, Blow.”
“…the windiest city in the U. S.”
Theme Time Radio Hour sources often can be found by entering a few key words into Yahoo or Google and following the results. Dylan’s list of the windiest cities in the U.S. appears to be from a 2005 USATODAY.com article, one of the top links appearing in Google results for the phrase, “windiest city in the U.S.”
“…the windiest U.S. city is Dodge City, Kansas, with an average speed of 13.9 mph. Other windy cities include Amarillo, Texas (13.5 mph) and Rochester, Minn. (13.1 mph.).”
Using the first results they found on the Web was a habit that would occasionally get the Theme Time researchers into hot water with the show’s more discerning listeners. An unhappy fan pointed out midway through Season 1 that many of Bob Dylan’s stories about the music and musicians were reproduced almost verbatim from Wikipedia articles or other easily identifiable sources. Occasionally the information the TTRH team found would also be dead wrong, with the error repeated on-air by Dylan.
Bob Dylan: James Houston Davis, better known as Jimmy Davis. Not only a singer and songwriter, but also the governor of Louisiana, wrote this song. He also wrote a bunch of risqué songs. At his 100th birthday party in 19 and 99 he performed four songs. One of them this one.
[Jimmy Davis – “You Are My Sunshine”]
Bob Dylan: “I dreamed I held you in my arms. When I woke I was mistaken. You make me happy when shies are grey.” “You Are My Sunshine,” Jimmy Davis.
"James Houston Davis, better known as Jimmy Davis. Not only a singer and songwriter, but also the governor of Louisiana, wrote this song."
It’s curious that neither Bob Dylan nor Eddie Gorodetsky seemed aware that Jimmy Davis didn’t write “You Are My Sunshine,” a fact which is cited in almost every piece written about Davis, with even the notoriously unreliable Wikipedia getting it right. Maybe the story was simply too complicated to tell, as there are multiple histories about the cloudy origins of "You Are My Sunshine."
According to most accounts, Davis and his pedal steel guitarist, Charles Mitchell, purchased the song from a Paul Rice - who may or may not have composed it himself- for $35 in 19 and 39 and put their own names on it, a not uncommon practice of the era. In his later days, Davis provided a semi-acknowledgement of the truth, claiming that he had been misquoted over the years about writing the song and had been referring to his efforts in popularizing it, rather than in claiming authorship.
Jimmie Davis did perform four songs at his 100th birthday party at Baton Rouge in 1999, including the one he didn’t write but was best-associated with, “You Are My Sunshine.” He passed away in his sleep at his home on Sunday, November 5, 2000, at the age of 101,
"He also wrote a bunch of risqué songs."
Davis recorded a number of risqué songs during his early career, including a paean to monkey glands, which I wish TTRH had aired, a popular impotence treatment of the `30s, in his "Organ Grinder Blues."
Gonna get me some monkey glands,
Be like I used to was;
Gonna run these mamas down,
Like a Dominicker rooster does.
Bob Dylan: All right now. Going out West, where I belong. Get away from the gee-rind. “I walk. They talk. They twist, they shimmy. They’re frisky, frisky ‘Frisco girls.” This here song was a hit by The Riveras. The Ramones covered it many years later. Here’s the original, this is “California Sun” done by Joe Jones.
[Joe Jones – “California Sun”]
Bob Dylan: “Having fun in the ol’ California sun.” Joe Jones. Joe was from New Orleans. He had a hit record with “You Talk Too Much.” Unfortunately, he passed away last year.
"Unfortunately, he passed away last year."
Joe Jones died on November 27, 2005, confirming that Dylan recorded his commentary sometime between January 2006 and the show’s air date of May 6, 2006.
Bob Dylan: “I Don’t Care If The Sun Don’t Shine.” Dean Martin with Paul Weston and His Dixieland 8. We forget how much Elvis wanted to be Dean. But this is one of the songs that Elvis himself recorded for Sun Records. “I don’t care if the sun don’t shine. We kiss and kiss, and kiss some more. Don’t ask how many times we kiss. There’s no fun with the sun around.” “I Don’t Care If The Sun Don’t Shine.” Dean Martin, Paul Weston and His Dixieland 8.
[Dean Martin with Paul Weston and His Dixieland 8. – “I Don’t Care If The Sun Don’t Shine”]
"We forget how much Elvis wanted to be Dean."
Bob Dylan’s off-hand remark that would prompt me to begin Dreamtime, and eventually attempt a book on Theme Time Radio Hour.
The idea that Elvis had ever wanted to be Dino had never occurred to me, but a little research did show that Martin had, in fact, been one of Presley’s favorite singers and role models.
Jerry Hopkins' “Elvis: A Biography,” relates a story told by the office manager of Sam Phillips' Sun Records studio, Marion Keisker, who said that in Elvis’ first audition he relied so heavily on Dean Martin material she felt that he had deliberately decided "...if he was going to sound like anybody, it was going to be Dean Martin."
“I Don’t Care If The Sun Don’t Shine” was originally composed for Disney’s animated film Cinderella, but dropped from the final score.
[The Prisonaires – “Just Walking in the Rain” (excerpt)]
Bob Dylan: The Prisonaires’ lead singer, Johnny Bragg, was sentenced to 99 years for rape when he was just 11 years old. But, you know for a black man in Tennessee in the `40s, rape could have been just looking at the wrong white woman in the wrong way.
Bob Dylan: All right, now get this. The governor of Tennessee heard the Prisonaires sing “Just Walking in the Rain” and arranged for them to record for Samuel Phillips Sun label on June 1st 1953. It hit the airwaves and took off, selling 250,000 copies. Johnny Ray, a very popular singer at the time, covered it for Columbia, selling over two million copies.
Bob Dylan: After the third single, several members of the group were paroled and formed another group called The Sunbeams. In 1955 they changed their names again, to The Marigolds, and recorded a song called “Rolling Stone.” Johnny Bragg, who was out on parole, was sitting in the back seat of a car with a white girl… who was his wife. Which, somehow, violated his parole and he ended up spending the next six years back in the lockup.
Bob Dylan: A sad story. A beautiful song. “Just Walking in the Rain,” The Prisonaires.
[The Prisonaires – “Just Walking in the Rain”]
"Johnny Bragg, was sentenced to 99 years for rape when he was just 11 years old."
Dylan misread the script or there was a typo. Bragg was imprisoned at age 17, not at age 11.
"The governor of Tennessee heard the Prisonaires sing “Just Walking in the Rain” and arranged for them to record for Samuel Phillips Sun label on June 1st 1953."
Most histories of The Prisonaires have them discovered by radio producer Joe Calloway, who beat the drum about The Prisonaires to Sam Phillips, and who eventually brought them into the studio on June 1st 1953. After “Just Walking in the Rain” became a hit the band did become favorites of governor Frank G. Clement, and they frequently performed at his mansion.
"Johnny Bragg, who was out on parole, was sitting in the back seat of a car with a white girl… who was his wife. Which, somehow, violated his parole and he ended up spending the next six years back in the lockup."
After his sentence was commuted in 19 and 59 Bragg was in and out of prison on various parole violations, described as both trumped-up and legitimate, depending on the source. Bragg completed his final jail term in 19 and 77, He passed away in 2004.
Dylan missed the opportunity to tell several other stories about Johnny Bragg, including a reported 1961 prison visit from Elvis, who had been captivated by “Just Walking in the Rain.” Another visitor was supposedly Hank Williams Sr. Both stories, as well as the legend that Bragg sold Williams “Your Cheatin’ Heart” for $5, are likely apocryphal but would have been perfect grist for the TTRH story mill.
(Storm sound effects)
Bob Dylan: Theme Time Radio Hour. Dreams, schemes, and themes.
Bob Dylan: “After The Clouds Roll Away” by The Consolers, a husband and wife team from Florida. They recorded this song on the Nashboro label. Don’t know what kind of clouds are rolling away, but they’re probably the alto cirrus, or the altostratus, one or the other. The altoculmulus (sic) might be in there too… rolling away.
“… but they’re probably the alto cirrus, or the altostratus, one or the other. The altoculmulus might be in there too… rolling away.”
One of the first examples of Dylan’s and Gorodetsky’s fondness for having Dylan recite lists of things, a riff that would be used throughout the series.
Dylan mispronounces “altocumulus,” saying “altoculmulus” instead.
Bob Dylan: “Everything going all right. Before the day is over, clouds cover the sky. Try not to cry. But you know that indeed in each life some rain must fall. Trouble may be waiting ‘long the way.” Here’s The Consolers, “After The Clouds Roll Away.”
[The Consolers – “After The Clouds Roll Away.”]
Bob Dylan: Brother Sullivan Pugh and his wife, Lola. “After The Clouds Roll Away.”
Bob Dylan: Here’s a song by Jimi when he was trying to write a Curtis Mayfield song. Everybody thought that Jimi was a wild man, but this shows his more gentle side. Sometimes the wind whispers “Mary.” Sometimes it cries “Mary.” Here’s Jimi Hendrix, “The Wind Cries Mary.”
[Jimi Hendrix – “The Wind Cries Mary.”]
Bob Dylan: They call the wind Mariah, south of the border. But here it cries, “Mary.”
“…when he was trying to write a Curtis Mayfield song.”
As he does throughout the 100 episodes of Theme Time Radio Hour, Dylan studiously avoids making the obvious reference to himself or his own work. He could have as easily said, “…when Jimi was trying to write a Bob Dylan song,” given the Dylanesque turns of phrases Hendrix uses throughout “Mary.”
According to Jimmy Black’s Jimi Hendrix, The Ultimate Experience, the last time Dylan saw Hendrix he remembered, “[Jimi] was slouched down in the back of a limousine. I was riding by on a bicycle. I remember saying something about a song ‘The Wind Cries Mary’…”
The Wikipedia article on the song includes an unsourced quote from Billy Cox, bassist for the Band of Gypsies: "’The Wind Cries Mary' was a riff that was influenced by Curtis Mayfield, who was a big influence for Jimi."
Various other published works also note Hendrix’s admiration for Curtis Mayfield, so Gorodetsky and Dylan may have known the connection without having to consult Wikipedia.
"They call the wind Mariah, south of the border."
“They Call The Wind Mariah” is a song from the musical, “Paint Your Wagon,” and popularized by The Kingston Trio.
[Judy Garland – “Come Rain Or Come Shine” ]
Bob Dylan: Okay, Judy Garland. Just like Prince, she’s from Minnesota. “Come Rain or Come Shine.”
"Just like Prince, she’s from Minnesota."
As is, of course, Bob Dylan. The TTRH team apparently had nothing more they wanted to say about Judy Garland, as Dylan would use the exact same line, “…just like Prince, she’s from Minnesota” when introducing Judy’s only other appearance on TTRH, performing “Smile” in the Season 3 “Happiness” episode.
Bob Dylan: “I’m gonna love ya like no-body loves ya, come rain or come shine.” Song’s written by Harold Arlen with lyrics by Johnny Mercer. Harold Arlen wrote, “The World On a String” and “That Ol’ Black Magic,” and “One For My Baby, One For the Road.”
Bob Dylan: Johnny Mercer wrote “Accentuate the Positive” and “Stormy Weather,” which we’re gonna hear a little later by The Spaniels. But first, here’s a little more music by Miss Irma Thomas.
Bob Dylan: Irma’s still down there in New Orleans, rebuilding and doing what she’s got to do. Irma’s had a song out called “Ruler of My Heart” that Otis Redding changed into “Pain of My Heart.” And of course The Rolling Stones took Irma’s song, “Time Is On My Side” and had a little hit with that.
Bob Dylan: “Drip drop! It’s raining so hard, raining all night. I guess I’ll have to accept the fact that you’re not here. It’s raining.” Is it raining where you are?
[Irma Thomas – “It’s Raining”]
"Irma’s still down there in New Orleans, rebuilding and doing what she’s got to do."
The first reference to the Hurricane Katrina disaster of August 2005 made in this show. Dylan would again refer to Katrina’s impact on New Orleans while introducing Fats Domino’s “Let the Four Winds Blow.”
Bob Dylan: “Many a man curses the rain that falls upon his head and knows not that it brings abundance to drive away the hunger.” Saint Basil, def poet.
The first Theme Time Radio Hour “def poet” reading is from Saint Basil, also known as "Basil of Caesarea" and "Basil the Great,” a 4th century theologian.
Eddie Gorodetsky and Bob Dylan planned Dylan’s def poetry readings as one of the staples of TTRH from the show’s very beginning, making it somewhat ironic that this first “def poet” – Saint Basil – is better-known for his moral homilies than for his poetry.
During Season 1 of TTRH, Dylan would eventually read selections or entire poems from over 25 poets ranging from Anon. to William Butler Yeats. Omnivorous reader Dylan may have supplied the Saint Basil quote. It’s also possible that Eddie Gorodetsky found it through a quick Web search for quotations about the weather, as he apparently did with much of the content used in the "Weather" show,
[Sister Rosetta Tharpe – “Didn’t It Rain?” ]
While it’s possible that both intro and outro were cut during editing, it’s more likely that the mistake was caused by the sequence not being programmed correctly into the XM computer system. XM’s occasional errors exposing Theme Time’s high-tech seams infuriated the TTRH producers, who spent much of their time trying to maintain the illusion that TTRH was produced as many listeners probably imagined it produced, with Bob Dylan in a studio, spinning platters as he provided a running commentary on the songs. In reality, Dylan's narrative was recorded separately from the other show elements and later mixed in, a common technique in modern radio known as “voice tracking.” When a similar mistake happened in a later show, this time with Dylan's voice introducing one song and another being played, a livid Eddie Gorodetsky called the East Coast at 7 a.m. his time to have the error fixed in later rebroadcasts.
[Sara Silverman promo - “Hi this is Sara Silverman and you’re listening to Theme Time Radio Hour with Bob Dylan!”]
An unlikely candidate for Theme Time’s first celebrity guest spot, there’s no evidence that pretty but potty-mouthed comedienne Sarah Silverman knows, or even has met, Bob Dylan. It’s more probable that, as with many of the other celebrity guests who would be featured on TTRH, Silverman did the spot at the invitation of Eddie Gorodetsky, who she does know.
Bob Dylan: Excello Records recorded artist Slim Harpo with his harp in the rack., singing ‘bout a swampy rain. “I know I was wrong. Please come home. “Bout to lose my mind. Don’t let me cry in vain. “
Bob Dylan: Slim wrote a bunch of his songs with his wife, Lovelle. (laughs). Boy, wish I had a wife like that – help me write songs.
[Slim Harpo – “Raining In My Heart”}
Bob Dylan: Slim Harpo, with his harp in the rack. On Theme Time Radio Hour, “Raining In My Heart.”
[audio clip from “Taxi Driver.” “Some day a real rain will come and wash all this scum off the streets.”]
Bob Dylan: Lord Beginner! “Jamaican hurricane, oh what sorrows and pain, Jamaica, because of the hurricane. Hundred-mile-an-hour wind is an awful blow.” Calypso is like a rap, or field hollers. Telling the news to people who got no access to the media. Here’s Lord Beginner, Jamaica Hurricane.
[Lord Beginner – “Jamaica Hurricane”]
The first example of TTRH’s ongoing love affair with calypso and reggae, music which would be played regularly throughout the show’s three-year run, especially in the later seasons. Dylan would repeat his analogy of music as a means of distributing news in several other shows.
[WSVA ID jingle]
Bob Dylan: Here’s Fats Domino, “Let The Four Winds Blow.” We seem to be playing a lot of records from New Orleans. Well, that only makes sense. New Orleans has been hit pretty hard by the weather. Fats Domino himself was missing for a few days, they finally found him and pulled him up in a boat. Here’s Fats to sing, “I like the way you walk. I like the way you talk. Let the four winds blow.”
[Fats Domino – “Let The Four Winds Blow.”]
Domino’s 9th Ward home was flooded to the roof during Hurricane Katrina. Due to the confusion caused by the storm and miscommunications – including someone spray-painting “R.I.P. Fats” on his roof – both family and friends thought the missing Fats was likely dead. He was eventually found and rescued on September 1st 2005, taken to the Superdome and later evacuated to Baton Rouge.
[WARM weather jingle]
Bob Dylan: Here’s The Spaniels, “Stormy Weather.” “Life is bare. Gloom and misery everywhere. The blues walked in and met me. Rockin’ chair would get me.” An awfully happy song for gloom and misery.
[The Spaniels – “Stormy Weather”]
Bob Dylan: The Spaniels, with their lead singer Pookie Hudson, were on that ill-fated tour with Buddy Holly, the Big Bopper, Ritchie Valens, Link Wray, and a bunch of others… which means probably I saw them. Winter Dance Party, February, 1959. The day the music supposedly died.
Dylan apparently isn’t a fan of Don McLean’s “American Pie” if the way he spits out, “the day the music supposedly died” is any indicator.
For reasons known only to the prankster, The Spaniels’ Wikipedia entry is regularly vandalized to include the falsehood that the group was part of the 1959 Winter Dance Party tour. It’s likely that the TTRH research team stumbled across the faked “fact” there.
While it’s entirely possible that Bob Dylan was in attendance at the Winter Dance Party show in the Duluth Armory on January 31st 1959, as he’s claimed on several occasions, he didn’t see either The Spaniels or Link Wray during that show. Neither the group nor Wray were part of the `59 tour either before or after Holly’s death. Dylan is careful to note that he “probably” saw the group, possibly ad-libbing off-script while wondering why he didn’t remember seeing them.
Bob Dylan: Here’s “Place in the Sun” by Stevie Wonder, only this is the way you might hear it in Italy…. [Speaks Italian gibberish with mentions of prima della and frittatas]: Stevie Wonder, Place in the Sun.”
[Stevie Wonder – “Place in the Sun (“Il Sole E' Di Tutti”)]
Bob Dylan: Stevie Wonder singing, “A Place in the Sun.” Bueno, Stevie, bueno.
A nice demonstration of how you can get away with almost anything just as long as you do it with enough brio. Dylan is neither reciting the song’s lyrics in Italian nor making a metropolitan commentary on “A Place in the Sun” but simply mouthing nonsense Italian, mostly the names of different foods.
While still a student at Emerson College in the late `70s, Eddie Gorodetsky was one of the writers and stars of a parody of Italian art films, “Nino, Nino, Nino.” The dialogue in the hour-long movie was conducted entirely in the same pseudo-Italian Dylan uses, including a heavy reliance on the names of Italian foods.
[Wind sound effects]
Bob Dylan: One of those hot, dry Santa Anas that come down through the mountain passes and curl your hair. Oh yeah, make your nerve jump and your skin itch. Always on the edge of hell fire.
Bob Dylan: It’s hard for people who have not lived on the West Coast to realize how radical the Santa Ana figures in the local imagination. West Coast weather is the weather of catastrophe. The Santa Ana winds are like the winds of the Apocalypse.
"One of those hot, dry Santa Anas that come down through the mountain passes and curl your hair. Oh yeah, make your nerve jump and your skin itch. Always on the edge of hell fire.
"… It’s hard for people who have not lived on the West Coast to realize how radical the Santa Ana figures in the local imagination. West Coast weather is the weather of catastrophe. The Santa Ana winds are like the winds of the Apocalypse."
Given Bob Dylan’s magpie appropriations from other sources for use in everything from his music to Chronicles, it’s not surprising that he borrowed all his Theme Time commentary on the Santa Ana winds from other writers…. all from quotations found in the Wikipedia entry on the Santa Anas.
Dylan’s first remark is a paraphrase of Raymond Chandler’s famous lines on the infamous winds“…it was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch.” His mention of, “…always on the edge of hell fire” is a reworking of a line in Robert Crais’ mystery novel, “Chasing Darkness.” “…a sick desert wind carried the promise of Hell.”
The next set of lines are from Joan Didion’s essay, “Los Angeles Notebook” published in Slouching Toward Bethlehem, the first a near-quote and the latter two lines paraphrased from the same essay, both substituting “West Coast” for “Los Angeles.”
Didion writes, “It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination.…”
“…Los Angeles weather is the weather of catastrophe, of apocalypse….
Bob Dylan: But the summer wind that Frank’s singing about… maybe a little lighter. Come on in, Frank…
[Frank Sinatra – “Summer Wind”]
Bob Dylan: The song was originally a Danish song. Written by the legendary Hans Blotki (sic) [Bradtke] from Denmark. The English lyrics were written by our old friend, Johnny Mercer. And sung beautifully by Mr. Blue Eyes, Frank Sinatra.
"Summer Wind" was indeed originally written in Danish. Dylan mangles original lyricist Hans Bradtke's name while claiming (probably with tongue firmly in cheek after his struggles with the name) that he was a famous Dane. Bradtke was actually German.
Bob Dylan: Here are The Staple Singers singing “Uncloudy Day.” “They tell me of an uncloudy day.” Pop Staples with his dreamy underwater sound of the tremolo guitar. Tremolo guitar bar – that’s one of the hardest things to master if you’re a singer – the tremolo bar. It’s hardly ever used, you won’t hear anybody use it, because it’s very hard to control. But when you use it the right way, it can be a very beautiful effect, as we can hear from Pop Staples and The Staple Singers, singing “Uncloudy Day.”
[The Staple Singers – “Uncloudy Day”]
"...that’s one of the hardest things to master if you’re a singer – the tremolo bar."
Perhaps another one of those quirky Dylanesque (or Gorodetskyesque) jokes that no one else quite gets. There is no such bar that a singer could master. The tremolo bar, better known as the tremolo arm is "a lever attached to the bridge and/or the tailpiece of an electric guitar or archtop guitar to enable the player to quickly vary the tension and sometimes the length of the strings temporarily, changing the pitch to create a vibrato, portamento or pitch bend effect." (Mr. D. isn't the only one with access to Wikipedia).
Bob Dylan: Welllll, the ol’ clock on the wall says it’s time to go. Until next week, you are all my sunshine. If you think the summer sun is too hot, just remember, at least you don’t have to shovel it. We’ll be here next week, on Theme Time Radio Hour
[The Carter Family – “Keep on the Sunny Side”]
[“Top Cat (Underscore”)]
“Pierre Mancini”: You’ve been listening to Theme Time Radio Hour, with your host, Bob Dylan. Produced by Eddie Gorodetsky. Associate producer, Sonny Webster. Continuity by “Eeps” Martin. Edited by Damian Rodriguez. Supervising editor, Rob Macomber. The Theme Time research team: Diane Lapson and Bernie Bernstein, with additional research by Lynne Sheridan, Kimberly Williams, and Robert Bower. Production assistance by Jim McBean. Special thanks to Randy Ezratty, Coco Shinomiya, and Samson's Diner. For XM Radio, Lee Abrams. Recorded in Studio B, The Abernathy Building. This has been a Grey Water Park Production in Association with Big Red Tree.
This is your announcer, Pierre Mancini, speaking.
Join us again next week for Theme Time Radio Hour, when the subject is, “Mother.”